How does Wilder convey the
characters and their relationships in the penultimate scene of Double
Indemnity?
Wilder
conveys the characters’ relationships through the use of effective
cinematography. Neff and Dietrichson are regularly shown in the same shot. The
use of a two shot usually displays to the audience that the characters on
screen are linked somehow. As Neff enters the scene, he comes directly in to
frame with Dietrichson and says “hello, baby”. This shows to the audience that
these two characters have a past; however the dark lighting suggests that it is
a seedy one. The two characters are in the same shot for the majority of this
scene, which has the effect of making them seem closer in terms of relationship
status. Furthermore, when Neff is in a shot on his own, he is shown from a low
angle. This has the effect of making the audience seem inferior and vulnerable
towards him. As well as that it also tells the audience that Neff is a more
dominant character to Dietrichson. The fact that the male in this scene has
more dominance over the femme fatale is a generic feature within the Noir
genre. Whenever Dietrichson is shown, she is shot from a high angle. This
creates the effect that she is quite helpless in this situation. This is also
shown later on in the scene when the two characters are shown on screen and
Neff is standing over Dietrichson, whom is seated. As Neff is standing over
Dietrichson, it gives the effect that she will bow to his whim and that he has
full control over the situation.
Wilder also
uses lighting in the penultimate scene of Double Indemnity to convey the
characters. Low key lighting is used throughout this whole scene which creates
the effect that these are two shady characters with a dark past. Low key
lighting is a very generic feature within the Noir genre as it lowers the mood,
and makes the audience feel suspenseful. There is some light in this scene,
coming through the blinds on to the back wall. As Neff enters the scene, he is
illuminated by this slight glow through the blind; however his face reminds
hidden. By doing this, Wilder makes the audience wonder who has entered and
makes them question, is it a dangerous person or a threat. It also gives the
effect that Neff has something to hide, and that maybe he wants to keep his
motives to himself. The light through the blinds creates sharp shapes on the
back wall which is quite common and conventional to the Noir genre.
Furthermore, Dietrichson’s face is quite softly lit throughout this whole
sequence. This fits in with the classic
femme fatale stereotypes as it helps her appear more sweet and innocent,
however the audience knows that she is quite the opposite. Her face is well lit
which suggests that her personality and motive are quite clear to the audience
and creates the effect that she is quite vulnerable and easily read.
The use of
mise-en-scene and props is significant when discussing how Wilder conveys the
characters and their relationships. Suits are quite conventional and
stereotypical when dressing the main male lead in a Noir film. Neff is wearing
a plain suit in this scene which shows the audience that he is an average,
middle aged male. As well as that, the props are important in telling the
audience about the characters. From this whole scene, Dietrichson is shown
smoking a cigarette. This creates the effect of adding a harsh edge to her
character, makes her seem a bit wilder and fits in with the femme fatale conventions.
Furthermore, a gun turns up at the end of the scene. This fits in with the
generic features of a classic Noir film as there is almost always a weapon of
some kind. The fact that there is a gun creates the effect of danger and
suspense as you don’t know who will come out on top. As well as that, it puts
the audience on the edge of their seats as they realise that one of the main
characters is about to be killed. The femme fatale is the character who draws
the weapon which shows the audience that she is extremely dangerous and
resourceful. As well as that, it also shows the audience that she is an evil
character as she had the weapon ready for Neff’s arrival, which shows us what
she intended to do with him once he arrived.
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